I base my recommendations on the performance of the product, other photographers' feedback I gather, as well as my personal experiences with photography equipment since 1969. There are simply too many (millions) for one person to try. I have used most, but not every single one of these products personally. My goal is to provide useful information and sometimes I recommend products that I believe will help you with your photography, but there are no guarantees. The diagram below shows you how to get the best bokeh by adjusting the camera-to-subject and subject-to-background distances. When you bring the focusing point closer to the camera it gets farther away from the background. Subject and background distances affect the bokeh with the Canon 70-200 lens. Adjust Your Distances to Get the Maximum Bokeh Shooting with a 200mm lens setting gives you much more than just a decent bokeh effect. I've used my 24-105mm lens at 105mm at f/4.0 and that combination has given me decent bokeh. You'll achieve more dramatic bokeh at 200mm than you will at 70mm. It's great for photographs of individuals, but with group shots you need more depth of field to make sure everyone is in focus. Portrait photographers love the beautiful bokeh you can get shooting wide open at f/2.8. This gives you the ability to shoot in low-light situations as well as get faster shutter speeds for action photos. One of the biggest reasons Canon shooters love the 70-200 is for its maximum aperture of f/2.8. Use the Widest Aperture for the Most Bokeh Decrease the physical distance between the camera and the subject and increase the distance between subject and background. Use the strongest telephoto setting-200mm if possible. Using the widest aperture (lowest f/stop number) Here are the three ways to get more bokeh in your photos using the Canon EF 70-200mm lens - and any other lens for that matter. How to Get Good Bokeh with the Canon 70-200 Lens With the 70-200 zoomed to 95mm, the bokeh is a little better than you'd get if you were shooting at a 70mm zoom setting. If the distance between the subject and the background is sufficient, you get adequate bokeh at f/5.0.
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